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Your guide to cold foiling....

You ask.....
.....we answer!

 

 

This page is updated regularly with answers to questions posed to us about the cold foiling process.

The foil transfers properly on the substrate or over light colours, but won't print/transfer onto dark colours.

  • •  The dark colour of the substrate or ink is absorbing the UV light and the adhesive is not curing. To resolve this you can increase the UV power and/or increase the dwell time by stripping a little further down the web.

  • What new markets will cold foiling help me gain?

  • •  There are a lot of markets demanding cold foil. Some of them are prime labels, cosmetics, wine, beverages and novelty stickers. Imagine any label for your customer that could be improved by adding a foil highlight.

  • What colour foils are available?

  • •  There is a full range of metallic colours the most common being reds, greens, golds and silver. Even holographic,  diffraction and iridescent foils are available.

  • How does this compare to hot foil stamping?

  • •  Most times your customer won’t know the difference. Most cold foils are available in the same colours as those used for hot stamping.

  • You list 3 types of adhesive for free radical. Explain them and why?

  • •  The different types of adhesive are for different printing processes and substrates. A thin viscosity is used for flexo, a slightly heavier viscosity is used for letterpress, and a high viscosity letterpress version is used for porous substrates like textiles for example rayon or satin.

  • How are your products better than competitors?

  • •  Our foils are made specifically for cold foiling and are designed to allow UV light to pass through. They have special release characteristics allowing cleaner edges after stripping and are printable. The bottom surface is specifically designed to adhere to our adhesive. Our adhesives allow you to use low volume anilox rollers for the sharpest print detail and are printable on a wide variety of substrates.

  • You mention a wide scope of applications. What are some of them?

  • •  Cold foiling has been used on Labels, Cartons, Ribbons, Toothpaste Tubes, even on Wood! Let your Imagination be your guide to the endless possibilities for cure through cold foiling.

  • How fast can I expect to run my press?

  • •  That depends on the UV system you have on the press. We have seen speeds up to 350 feet per minute.

  • What label stocks does this work on?

  • •  Cold foiling works on most films and papers. Sometimes a coating to seal the surface may be required.

  • What if I bring in lower grade stock?

  • •  Uncoated paper and absorbent materials do pose a problem. See our technical pages for solutions.

  • Can I use my regular plates?

  • •  Yes, If your plates are suitable for UV ink you can use them for cold foiling.

  • What press types does this work on?

  • •  You can cold foil on any flexo or letterpress that has UV curing capabilities.

  • What support can you offer me if I need assistance?

  • •  We have support available 24/7.

  • How long will it take me to be up and running?

  • •  Setting up the printing head for cold foil is the same as setting up for a spot colour. You will have to allow a little extra time to web the foil and set the nip roller.

  • How do I start cold foiling?

  • •  Start by calling us or e-mail info@coldfoil.com. We can review your needs and offer suggestions. We will familiarize you with the process and arrange to send our information or sample kit depending on your needs.

  • What is the main difference between the Wet Lamination and the Dry Lamination methods?

  • •  The Wet Lamination system: The adhesive is applied, then laminated before curing. It uses the newest "cure through" technology foil for crisper, cleaner lines and better gloss, brightness, and reflectance as it is cured through the film leaving a smoother surface.

  • •  The Dry Lamination system: This method depends on partially curing the adhesive, getting it tacky for a window of time, and then laminating and stripping the foil during this tacky period. Since this process uses cationic adhesives, a special press cleaning regimen is required. This method is only recommended when a customers application or web is not capable of running Wet Lamination.

  • How does the UV Adhesive cure through the foil?

  • •  That is an interesting question. Imagine the windows of a large office tower. They are often covered with a metallized coating that reflects the IR rays of the sun but light still passes through. UV light passes through the foil in a similar manner.

  • How do I arrange to get samples of foils and adhesives?

  • •  Contact us. We have sample kits available at a reasonable price and can provide you with all of the technical information to get you started.

  • How much reducer should I use?

  • •  The amount of reducer you use will depend on your press conditions and substrate but generally when used about 5% is sufficient.

  • What anilox should I use?

  • •  Start as you would with normal UV flexo ink and adjust depending on the type, solids, and substrate.

  • How important is UV wattage to this process?

  • •  It is important for best cure. The higher the speed you want to run the more you will need.

  • How important is the nip?

  • •  The nip is the most important part of the process, otherwise it won't work properly. Review our technical pages for very specific information.

  • How important is my web path?

  • •  It is important to choose a suitable web path. Generally the shorter and simpler the better.

  • How important is the stripping angle?

  • •  Stripping gold foil is very similar to removing waste matrix. You will find that one angle may work well for one design and another angle is required for a different design.

  • How can I learn more?

  • •  Call us or e-mail info@coldfoil.com

  • What information should I offer you to enable you to better help me?

  • •  Knowing your press type, the wattage of your UV lamps, and if you have the ability to strip before or after the nip. Knowing more is also helpful but is not required.

  • How do I get my salespeople trained to sell this?

  • •  Once you and your press people are comfortable with cold foiling we recommend showing this to your sales staff. Once they are also comfortable and see this works, they will be better able to explain it to your customers. You could try some existing customer labels (using foil in place of a certain color) and show your customers the end result. This way they could better understand how this will help them gain shelf appeal and increase business, since the label will stand out.

  • You refer to a nip roller. What type do I need? What pressure do I need? Can you help me find them?

  • •  You must have at least 80 durometer and you will need more than the normal amount of nip pressure. We can help you find a supplier but most of these products are available OEM.

  • You mentioned wattage is important. What wattage is required? How can I check if they are operating efficiently?

  • •  You will need to have a minimum of 300 watts per inch of UV power. There are various methods of checking UV power for instance color change stickers or various UV meters, but generally if your bulbs are over 1000 hours old they may need replacement.

  • Curing through the foil is obviously the better way. What if I can’t web my press that way?

  • •  We would offer additional ideas. Once limited to this way, we would supply adhesives for the cationic method.  

  • You mention stripping is important. What angle and size of stripping roller should I use?

  • •  Generally the smaller the better. Angles are also important but depend on the print.

  • I have a wide variety of anilox rollers. How do I choose which is best?

  • •  Choosing an anilox for cold foiling is just like choosing an anilox for ink. A 300 line anilox is a good starting point.

  • I use many different substrates that I order offshore. What concerns should I know about?

  • •  Try to avoid substrates that are too absorbent. Some semi gloss stocks will need to be coated to seal the surface.

  • In regards to plates, should I do anything differently? What line or type set should we use? Does it matter? How does it work in reverse print?

  • •  Generally you should avoid any text or line screen that you could not run with ink on a similar anilox. Reverse print actually works better than when done with hot foil. It is always best to test anything you are suspect about before accepting orders.

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    Please Note: Always consult your sales representative regarding any new application.

     

     
       

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    Last modified: May 20, 2004 Copyright © 2000-2004 by Image Group. All rights reserved.
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